From sketch to boutique.
Over twenty years of design and production for high-end collections. Few have seen the whole chain from the inside — I have, and that's what keeps your production on time and on budget.
I'm Lorenzo Manta. For over twenty years I've worked in the middle of Made in Italy: between the person who designs a collection and the person who brings it into production, between craftsmanship and digital tools, between a moodboard and the first fit session.
I started in a family textile business as a teenager, learning from the ground up: every stage of production, from cutting to shipping, and all the documentation that comes with it — product sheets, bills of materials, price lists, catalogs, packing lists, accounting records. I've moved through the whole Italian chain: 2D and 3D technical design, product development, third-party manufacturing, sample and collection management for high-end international brands — from the first grading to the salesman sample, all the way to the shelf.
I'm a designer and a technician at once: I design a collection, judge its fit and finish, and translate it into documentation a factory can actually produce. In 2022 I put into words what I'd been living for over twenty years, with a thesis on how the fourth industrial revolution is reshaping fashion. Along the way I found an idea from labor sociology — from W.F. Whyte and C.W. Mills — that fits me better than any other: the designer as "man in the middle," a point of balance between two worlds that rarely speak to each other directly. → Read more
Without this figure in the middle, the cost shows up later and larger: a construction that looked fine on paper but can't be produced at the quoted price, a tech pack a factory reads three different ways, a sampling round repeated because no one caught the issue early enough. That's not a skill a master's program teaches — it's built over decades, on the ground, and it's the one that will keep paying for itself as virtual sampling, AI and new supply chains reshape the industry over the next 40 years.
1. Design & prototyping
- Trend forecasting & research
- Moodboards, croquis, technical flats, colorways
- CLO3D — certified 2022 (drape, fit and fabric behavior on a virtual garment)
- Fit sessions, pattern correction, grading
- Technical validation of the prototype
2. Technical & cost documentation
- Tech packs & spec sheets
- Bill of materials / BOM, DIBA, trim sheets
- Raw material requirement calculations
- Costing, CMT, margins, price lists
3. Production & quality control
- Full production process, cutting to shipping
- Made in Italy supply chain, critical path & timing
- Quality control on pre-production & bulk samples (AQL)
- Defect sheets & non-conformity management
4. Sales & commercial communication
- Line sheets, lookbooks, sales catalogs
- Materials for showrooms, sell-in/sell-out, trade fairs
Industry experience
- Sample & collection management for high-end international brands
- Degree in Fashion Culture and Techniques (2022), thesis "Fashion Industry 4.0"
Numbers that translate into fewer sampling rounds, fewer production errors, and collections that hit the floor on schedule.
The notes below are feedback Lorenzo received directly over the years, reproduced here from memory — not verbatim quotes.
Got a tech pack to check, a BOM to fix, or a feasibility question before you commit to production? The earlier I catch it, the more it saves you.
Lorenzo Manta